![]() He wanted one track to sound tentative, so we imagined we were drops of water that had waited thousands of years until, at last, we were to fall from a stalactite. ![]() He knew exactly the sounds he wanted, so we recorded different versions of each section to make it sound happy, angry, lost … And even though we went over some parts at length, there was a lovely, friendly atmosphere in the room. Mark had written short ‘sequences’ of music that he planned to insert between tracks to link the whole album together, or to use as a backing for parts of the tracks. I was curious to find out how the sound of a bassoon would fit in to an indie-rock band. ![]() Margaret Pollock, bassoonist on Mark Hollis’s self-titled solo albumĪlthough it was 20 years ago, I clearly remember the session.
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